A great traveler, Rey developed work that was heavily influenced by Asian culture. Marked by the Zen philosophy and with a desire for refinement and simplicity, he produces minimal compositions that appear like suspended moments, poetic breaks in the middle of the surrounding disorder. His unique and individual technique of working varnish with a knife and gold leaf inlays puts light at the heart of his works, as it plays with areas of shadow and brightness.
MEDIUM: Lacquer and Gold Leaf on Masonite Board
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